
Going back over the files from Azuga, I looked at it again and looked a little more closely. I realised that inside the fairly flat colour file was a much better shot trying to get out. It didn't take too much work to get there - half an hour's tweaking and I had it.
I'm particularly fond of the contrast between the three sections of the frame - the smooth water, the sharp angularity on the rocks and the foliage.
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